奥费主义(法语:Orphisme),或称俄耳甫斯立体主义(cubisme orphique)是一个立体派的分支,该主义受野兽派佛洛依德米歇尔·欧仁·谢弗勒尔等的影响,其作品内容主要为光线构成的绝对的抽象。这个术语本身则是由法国诗人纪尧姆·阿波利奈尔在1912年提出的。奥费主义是立体派艺术向抽象艺术转折的关键期,其先锋人物为法兰提塞克·库普卡罗伯特·德劳内索尼娅·德劳内[1]

罗伯特·德劳内,《Simultaneous Windows on the City》,1912年,汉堡艺术馆

这个术语的真正含义一直较令人费解。它来自古希腊神话中的俄耳甫斯,原因可能是因为后者被当做了理想的艺术家的典型,又是神秘主义的象征。[2]

注释

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参考书目

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  • Baron, Stanley; Damase, Jacques. Sonia Delaunay: The Life of an Artist. Harry N. Abrams, Inc., 1995
  • Buckberrough, Sherry A. Robert Delaunay: The Discovery of Simultaneity. Ann Arbor, Michigan: UMI Research Press, 1978.
  • Chadwick, Whitney; de Courtivron, Isabelle. (ed) Significant Others: Creativity and Intimate partnership. London: Thames & Hudson, 1993.
  • Chip, Herschel B. "Orphism and Color Theory". The Art Bulletin, Vol. 40, No. 1, pp. 55–63, Mar 1958.
  • Damase, Jacque. Sonia Delaunay: Rhythms and Colours. Greenwich, Connecticut: New York Graphic Society Ltd, 1972.
  • Gale, Matthew. Dada and Surrealism. New York: Phaidon Press Inc., 2006
  • Hughes, Gordon "Envisioning Abstraction: The Simultaneity of Robert Delaunay's First Disk". The Art Bulletin, Vol. 89, No. 2, pp. 306–332, Jun 2007. The College Art Association.
  • MoMA. Orphism页面存档备份,存于互联网档案馆
  • Seidner, David. Sonia Delaunay. BOMB Magazine, 2/Winter, ART, 1982. https://web.archive.org/web/20090903142313/http://www.bombsite.com/issues/2/articles/60
  • Stangoes, Nikos (ed). Concepts of Modern Art: Fauvism to Post-Modernism. Chapter: "Orphism", Virginia Spate. (Revised) London: Thames & Hudson, 1981.

外部链接

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