English: A three-quarter-length portrait, standing, hands clasped in front of her, and wearing a sumptuous brocade dress and jewellery. This is a cut-down seventeeenth or eighteenth copy of a lost portrait once in the Royal Collection and a full-length version, attributed to Master John, of the same sitter is in the National Portrait Gallery, London (NPG 4451).
National Trust for Places of Historic Interest or Natural Beauty
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England, Wales and Northern Ireland.
Historically, the trust tended to focus on English country houses, which still make up the largest part of its holdings, but it also protects historic landscapes such as in the Lake District, historic urban properties, and nature reserves.
Edwards, John Stephan. (2015) A Queen of New Invention: Portraits of Lady Jane Grey Dudley, England’s ‘Nine Days Queen’. Palm Springs: Old John Publishing. ISBN9780986387302, p. 32.: "The necklace, though with a different pendant, can be seen in both the full-sized portrait of Jane Seymour, Henry's third consort, and in the miniature thought to depict Henry's fifth wife, Katherine Howard".
James, Susan E. (January 1996). "Lady Jane Grey or Queen Kateryn Parr?". The Burlington Magazine. 138 (1114): pp. 20–24.
{{Information |Description ={{en|1=Catherine Parr in the Melton Constable Portrait. Formerly mistaken as Jane Grey.}} |Source =http://somegreymatter.com/meltonconstableportrait.htm |Author =Unknown |Date =16th century |Permiss