布鲁克纳节奏

布鲁克纳节奏安东·布鲁克纳交响乐中的2+3(二连音+三连音)或 3+2节奏,它频繁[1][2]且以许多不同形式出现。[3]

安东·布鲁克纳,19世纪浪漫主义作曲家

第四交响曲第一乐章的主题为例,从第43小节开始:[4]


{ \new PianoStaff <<
\new Staff \relative es' { \set Staff.midiInstrument = #"piano" \set Score.tempoHideNote = ##t \stemUp \tempo 2 = 55 \clef "tenor" \key es \major \time 2/2
 es4 _\markup{ \italic {marc.} } \ff bes4 \times 2/3 {
  as4 g4 f4
 }
 | % 2
 es4 r4 r2 }
>> }

布鲁克纳还在他的第二交响曲中使用了重复单个音高的节奏(例如,第20和122小节)。[5]在他的第六交响曲中,布鲁克纳节奏出现的程度比以前的作品要多得多,在几个部分出现的时间略有不同。一开始,它作为小提琴音域中高音弦以固定音出现,与大提琴中不同节奏的旋律(第3小节)[6]相对应,而在第 195-209小节,它用于表达六声音阶循环和弦。 [7]这种节奏在第八交响曲的次要主题组中以更“易于处理”的形式出现,通常在所有部分中以相同的方式出现。


{ \new PianoStaff <<
\new Staff { \set Staff.midiInstrument = #"piano" \key c \minor \clef treble \time 2/2 \set Score.tempoHideNote = ##t \stemUp \tempo 2 = 55
     <> \p<> ^\markup \italic {"Breit und ausdrucksvoll" } d'4( e') \tuplet 3/2 { fis' g' a' }
     b'2 cis'4 d'
     ees'( f') \tuplet 3/2 { g' a' b' }
     b'( c'') c''2 }
 \new Staff <<
  \new Voice \relative c' { \stemUp \clef bass \key c \minor \time 2/2
  b1~ 
  b2 b2
  b2. d4
  ees2. r4 }
  \new Voice \relative c { \stemDown
  <g d'>1~
  <g d'>2 <g f'>2
  <g ees'>2. <gis f'>4
  <a ges'>2. r4 }
>> >> }

布鲁克纳节奏也出现在其他作曲家的作品中,例如在霍华德汉森浪漫主义交响曲中,它主要出现在圆号和小号部分。

参考资料

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  1. ^ Milton John Cross英语Milton Cross & David Ewen, Encyclopedia of the Great Composers and Their Music. New York: Doubleday (1962): 158. "The second element is a rhythmic pattern so often employed by the composer that it is known as the "Bruckner rhythm."
  2. ^ Hans-Hubert Schönzeler英语Hans-Hubert Schönzeler. Bruckner. London: Marion Boyars Publishers. 1978: 59. 
  3. ^ John Williamson英语John Williamson (musicologist), "The Brucknerian symphony: an overview", The Cambridge Companion to Bruckner英语Cambridge Companions to Music, ed. John Williamson. Cambridge, Cambridge University Press (2004): 79. "Yet even so instantly recognizable a rhythmic tic can be used with great variety."
  4. ^ Benjamin Korstvedt​(法语, "Aspects of Bruckner's approach to symphonic form" The Cambridge Companion to Bruckner, ed. John Williamson. Cambridge, Cambridge University Press (2004): 186.
  5. ^ Derek Watson英语Derek Watson (actor and musicologist), Bruckner. New York: Schuster & Macmillan (1997): 81
  6. ^ (Williamson, 2004): 79
  7. ^ Kevin Swinden, "Bruckner and harmony" The Cambridge Companion to Bruckner, ed. John Williamson. Cambridge, Cambridge University Press (2004): 222. "The orchestral texture through this passage is thick, articulating block chords in the 'Bruckner-rhythm' that characterizes the movement, supporting a reprise of the first theme of the symphony."

外部链接

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